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'' Religious Procession in Kursk Province'' (also known as ''Easter Procession in the District of Kursk'' or ''A Religious Procession in Kursk Gubernia〔The English title used by the Tretyakov, p. 143〕) (Russian: ''Крестный ход в Курской губернии'') is a large oil on canvas painting by the Russian realist painter and sculptor Ilya Repin (1844–1930). Completed between 1880 and 1883, the work shows a seething, huddled mass attending the annual religious procession (''crucession'') carrying the famous icon Our Lady of Kursk from its home at the Korennaya Monastery to the nearby city of Kursk in western Russia. The procession is led through a dusty landscape by robed, Orthodox priests holding icons, festoons and banners over their heads.〔Brinton, Christian. "Modern Artists", 2007. 146. ISBN 1-4067-3795-X〕 Behind them follow a crowd mostly of peasants, but ranging from beggars and cripples, police and military officers to figures from the provincial elite. ''Religious Procession'' led to controversy when first exhibited due to the icon being held by a man who appears to be drunk.〔Geisler, Michael E. "National symbols, fractured identities: contesting the national narrative". Middlebury, 2005. 104. ISBN 1-58465-437-6〕 The work is a continuation of Repin's social commentary in his work, and highlights perceived abuses by both church and state. He wrote of the work, " am applying all of my insignificant forces to try to give true incarnation to my ideas; life around me disturbs me a great deal and gives me no peace – it begs to be captured on canvas..."〔"(Krestny Khod (Religious Procession) in Kursk Gubernia )". Tretyakov Gallery. Retrieved on 13 March 2010.〕 ==Description== At the right, burly peasants carry a platform holding the icon inside an elaborate neo-classical case; only gleams of light reflecting off the gold ''riza'' icon-cover can be made out. Lines of peasants joining hands hold back the crowd, the foremost at the left trying to stop the crippled boy breaking through the cordon with his stick. Alongside ride peasant or priest stewards and officials and police in uniform, some of the latter beating back the crowd with their riding crops. Behind the icon follow priests and better-dressed people, carrying icons in front of their chest, and an "effete, dandified and bored priest" in vestments carefully straightens his hair.〔Jackson, 44〕 There is a comic effect with a stout middle-aged woman in a yellow dress and bonnet carrying an icon behind him, who looks very like a priest in his vestments. An empty icon-case, presumably that of the icon carried by the wealthy woman behind, is carried with as much reverence as the icon itself.〔 The hillside at right appears to have been recently cleared of timber, with fresh tree stumps. Further back another platform, holding what appears to be a circular icon, is preceded by two large banners, and behind that a large processional cross can be made out through the cloud of dust. The ''Procession'' is representative of Repin's style from the period, in that it first appears to be a scene from everyday life in Russia. In fact, it pointedly shows people from a range of social strata united and moving collectively towards their destination at Korennaya.〔Brettell, Richard. "Modern art, 1851–1929: capitalism and representation". Oxford Paperbacks, 1999. 160. ISBN 0-19-284220-X〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Religious Procession in Kursk Province」の詳細全文を読む スポンサード リンク
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